About HsienYu Cheng (鄭先喻)

HsienYu Cheng (鄭先喻) is a Taiwanese artist and software developer born in 1984 in Kaohsiung. He creates artworks, software, and experimental bio-electronic devices that examine human behaviour, emotion, software, and human-machine relationships. Awards include the 2014 Taipei Digital Art Award First Prize, 2017 Kaohsiung Art Award New Media Art First Prize, 2019 Tung Chung Art Award, 2021 19th Taishin Arts Award Visual Art Award, and a 2023 S+T+ARTS Nomination / Honorary Mention at ARS Electronica. Recent exhibitions include ARS Electronica 2023 and Sónar 2025 Barcelona, with further shows in the Netherlands, Slovenia, Norway, Italy, Germany, France, Austria, and Korea.

鄭先喻,1984年生於台灣高雄,藝術家兼軟體開發人員。創作藝術作品、軟體及結合電子設備的實驗性生物電子裝置。透過專注於人類行為、情感、軟體以及人機關係的作品,以幽默的方式傳達對社會與環境的獨特見解。曾獲2014年台北數位藝術獎首獎、2017年高雄獎新媒體藝術首獎、2019年銅鐘藝術獎、2021年第十九屆台新藝術獎視覺藝術獎,並於2023年獲得奧地利電子藝術節S+T+ARTS提名/榮譽獎。

  • Review & News
  • About
    • CV.
    • Contact
  • Solo Exhibitions ⬅︎
    • [.user ] - 2023
      • Info.
      • Works
    • % Consumption of Computing - 2023
    • Eyes、Ears、Nose, Tongues...those parts - 2023
      • Info.
    • Revenge Scenes - 2021
    • Injector After Null - 2020
      • Info.
      • Works
    • Assimilator - 2019
      • Info.
      • Works
    • Injector before Null - 2017
    • Secondlife: habitat - 2016
    • 1ed6318fc5481dda3ded... - 2016
    • Collector - 2014
  • Works
    • 2025
      • Traced
    • 2024
      • ThereWillBeWorks
      • Credit Make You Free
      • todayisnotwhatyoulike
    • 2023
      • Around 7 Meters is more fun
      • A slightly different browser
      • % consumption of computing
      • There is Another Capital Beneath the Waves
    • 2022
      • Happens To Be Performing
      • It Could Be You
      • Annoyanony
      • Minimal Input @ C-lab
      • don't know... what do you think?
    • 2021
      • Photo of ID
      • Revenge Scenes
      • Game of Life
      • Crystal Seeding
    • 2020
      • discharge what you charged: room edition
      • invariable variation
      • de centralize
      • We are saying what you are ruling
      • T.R.M 2.0 :Infodemic
    • 2019
      • Hijacker:{,}
      • Discharge what you charged
      • Others
    • 2016
      • Sandbox
      • Second Life: Habitat
      • Untitled: The result
    • 2015
      • Hobo
      • Artist's daily job
      • We all love F & D
      • isISis
      • The terminal is
    • 2014
      • Rc_bOAT
      • Dish on Fish
      • portrait 2014
      • MissionFail
    • 2013
      • portrait 2013
      • Afterlife ver.2.0
    • 2011
      • Afterlife
      • portrait 2011
      • heartcoke
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todayisnotwhatyoulike

2024

internet, web, machine learning, openllvm, corsssite scripting

https://todayisnotwhatyoulike.today

眾所周知,網上無窮盡的信息取得方式削弱了現代新聞媒體的權威性。因此,在社會中,對於什麼構成客觀標準或「事實」的共識也變得薄弱。一些評論家將歷史的這一點稱為「後真相」時代。個人或團體的觀點受到主流之外意見的影響並不本身證明公民生活的衰落。然而,當這些觀點受到算法生成的「過濾泡」影響時,這就令人擔憂。這些自動系統提供定制內容以支持商業或政治目的。政治如何從這種震撼中恢復?當民主思想家思考這些問題時,鄭先喻在當代心理捕捉和虛假信息傳播機制上提供了戲劇性的反思。他的新作使用定制軟體探索個性化信息服務和生成式人工智慧如何影響自我實現的問題。同時,作品也表明了信息並不等於知識。

It is well known that access to a limitless variety of information online has undermined the modern news media’s authority. Consequently, agreement about what constitutes a public standard for objectivity or ‘facts’ has also weakened in society. Some commentators have labeled this point in history the ‘post-truth’ era. That individuals or groups should have their views influenced by opinions from outside the mainstream does not, itself, prove a decline in civic life. However, when such views are shaped by algorithmic ‘filter bubbles’—automated systems that feed users tailored content to support commercial or political ends—there is cause for concern. How does politics recover from the shock? As democratic thinkers consider such questions, Cheng Hsien-Yu offers a dramatic reflection on the mechanisms of psychological capture and spread of misinformation today. His new work uses custom software to explore how personalized information services combined with generative AI haunt questions of self-realization. At the same, the work demonstrates that information does not equal knowledge.

NETOPEN

In order to realize the new page of the TFAM’s future, and to respond to the invention and application of new technologies in art creation or institutional systems in the digital age, we hope to establish the "TFAM Net.Open Platform'' as a hub for the convergence and co-creation between art creators, computer engineers, scientists, arts administrators, and production teams.

Curators and artists are invited to push the boundaries of virtual mediums and online spaces beyond physical exhibitions. The platform also integrates online and offline activities to provide audiences with more diversified channels to get closer to the core of the artists' creations. Through the art projects on the platform, we hope to unite the community that focus on the development of cutting-edge technology and art, and hope that through the process of co-production and cooperation, we can foster the innovation of the museum in the aspects of knowledge, practice, technology, and system.

COMMONING

Please visit off-line project “Commoning” for more events in Taipei Fine arts museum

 

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HsienYu Cheng | 鄭 先喻

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