About HsienYu Cheng (鄭先喻)

HsienYu Cheng (鄭先喻) is a Taiwanese artist and software developer born in 1984 in Kaohsiung. He creates artworks, software, and experimental bio-electronic devices that examine human behaviour, emotion, software, and human-machine relationships. Awards include the 2014 Taipei Digital Art Award First Prize, 2017 Kaohsiung Art Award New Media Art First Prize, 2019 Tung Chung Art Award, 2021 19th Taishin Arts Award Visual Art Award, and a 2023 S+T+ARTS Nomination / Honorary Mention at ARS Electronica. Recent exhibitions include ARS Electronica 2023 and Sónar 2025 Barcelona, with further shows in the Netherlands, Slovenia, Norway, Italy, Germany, France, Austria, and Korea.

鄭先喻,1984年生於台灣高雄,藝術家兼軟體開發人員。創作藝術作品、軟體及結合電子設備的實驗性生物電子裝置。透過專注於人類行為、情感、軟體以及人機關係的作品,以幽默的方式傳達對社會與環境的獨特見解。曾獲2014年台北數位藝術獎首獎、2017年高雄獎新媒體藝術首獎、2019年銅鐘藝術獎、2021年第十九屆台新藝術獎視覺藝術獎,並於2023年獲得奧地利電子藝術節S+T+ARTS提名/榮譽獎。

  • Review & News
  • About
    • CV.
    • Contact
  • Solo Exhibitions ⬅︎
    • [.user ] - 2023
      • Info.
      • Works
    • % Consumption of Computing - 2023
    • Eyes、Ears、Nose, Tongues...those parts - 2023
      • Info.
    • Revenge Scenes - 2021
    • Injector After Null - 2020
      • Info.
      • Works
    • Assimilator - 2019
      • Info.
      • Works
    • Injector before Null - 2017
    • Secondlife: habitat - 2016
    • 1ed6318fc5481dda3ded... - 2016
    • Collector - 2014
  • Works
    • 2025
      • Traced
    • 2024
      • ThereWillBeWorks
      • Credit Make You Free
      • todayisnotwhatyoulike
    • 2023
      • Around 7 Meters is more fun
      • A slightly different browser
      • % consumption of computing
      • There is Another Capital Beneath the Waves
    • 2022
      • Happens To Be Performing
      • It Could Be You
      • Annoyanony
      • Minimal Input @ C-lab
      • don't know... what do you think?
    • 2021
      • Photo of ID
      • Revenge Scenes
      • Game of Life
      • Crystal Seeding
    • 2020
      • discharge what you charged: room edition
      • invariable variation
      • de centralize
      • We are saying what you are ruling
      • T.R.M 2.0 :Infodemic
    • 2019
      • Hijacker:{,}
      • Discharge what you charged
      • Others
    • 2016
      • Sandbox
      • Second Life: Habitat
      • Untitled: The result
    • 2015
      • Hobo
      • Artist's daily job
      • We all love F & D
      • isISis
      • The terminal is
    • 2014
      • Rc_bOAT
      • Dish on Fish
      • portrait 2014
      • MissionFail
    • 2013
      • portrait 2013
      • Afterlife ver.2.0
    • 2011
      • Afterlife
      • portrait 2011
      • heartcoke
×

Credit Makes You Free

2024

Installation

Dimensions Variable

Commissioned by the Hong Foundation

As the Key Culture Partner for the 2024 Taipei Dangdai Art Fair. The Hong Foundation commissions artist Cheng Hsien-Yu (recipient of its 2019 Tung Ching Prize,) to transform a booth into a bait with an ulterior motive: as potential collectors step into the space, the artwork is triggered, initiating the choice to trade. Within this global art market mechanism involving artists, galleries and collectors, Cheng Hsien-Yu assigns the power of “pricing” to all, this act of pricing participation thus becomes an art work where everyone can play a part in determining its final asking price which will be the artist’s commission fees, compelling us to reconsider the exchange values we arbitrarily set on human attributes such as pranks, inspiration, creativity, or art.

主辦單位 Organisor/委託創作 Comissioned by

多媒體設備贊助 Supporting Partner

Panasonic台灣松下 & 洪建全基金會 Hong Foundation

 

尺寸依場地而定

本計畫由洪建全基金會委託製作

作為2024年台北當代藝術博覽會的「文化夥伴」,洪建全基金會特別委託藝術家鄭先喻(2019年「銅鐘藝術賞」得主)將展間本身化為一個別有用心的誘餌:當潛在藏家們步入這個空間,即會啟動作品機制,展開交易的抉擇。在這個連結藝術家、畫廊、藏家的全球性藝術博覽會中,鄭先喻將「定價」的權力交給在場的每個人,人人可貢獻一己之力決定作品的最終價碼,並成為藝術家的委託創作費用。定價的行為造就了作品本身,也迫使我們重新思考靈感、創造力、惡作劇或藝術等人類特質,以及我們在此之間擅自設置的價值交換。

 

 

 

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HsienYu Cheng | 鄭 先喻

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