HsienYu Cheng | 鄭 先喻

Reviews & News

Review & News / all entries
  • ├── 2024
    • └── It Could Be You, digital identities close to you ->
  • ├── 2022
    • └── VOP Issue 31:技術邏輯 Technologic ->
  • ├── 2021
    • ├── 鄭先喻個展「injector after Null」:It's the song, not the singer ->
    • ├── 《證件照拍攝指南》中的身份與主體生成問題 ->
    • └── Transitions, Articulated and Experienced ->
  • ├── 2020
    • ├── 鄭先喻《來生 Afterlife Ver. 1.0》到《台北機電人 2.0:訊息瘟疫》——殺死越多,來生越多 ->
    • ├── 不再超現實的夢境:鄭先喻《Hijacker:{,}》中的現實製造問題 ->
    • ├── To Think and Imagine in the Digital Basho: Review on Cheng Hsien-Yu’s ASSIMILATOR 在數位場所裡觸發思想:評鄭先喻的《同化者》 ->
    • └── When is your last time you put the phone down? {Assimilator},solo exhibition by Hsien-Yu CHENG. ->
  • ├── 2018
    • └── The Question of Institutional Split: Review on Cheng Hsien-yu’s “Sandbox” ->
  • ├── 2017
    • └── 藝術,不存之地 忠泰美術館當代藝術展 ->
  • └── undated
    • └── 生命中不能寫實之輕:鄭先喻《Afterlife Ver.2.0-生命的來來去去》中的抽象意識 ->

About

  • ├── CV
  • └── Contact

Solo Exhibitions

  • ├── 2023
    • ├── [.user ]
      • ├── Info.
      • └── Works
        • ├── Around 7 Meters is More Fun
        • └── A slightly different browser
    • ├── % Consumption of Computing
      • ├── Info.
      • └── Works
    • └── Eyes, Ears, Nose, Tongues...those parts
      • ├── Info.
      • └── Works
  • ├── 2021
    • └── Revenge Scenes
      • ├── Info.
      • └── Works
  • ├── 2020
    • └── Injector After Null
      • ├── Info.
      • └── Works
        • ├── invariable variation
        • ├── de centralize
        • ├── Sandbox
        • └── discharge what you charged: room edition
  • ├── 2019
    • └── Assimilator
      • ├── Info.
      • └── Works
        • ├── Hijacker:{,}
        • ├── Discharge what you charged
        • └── Others
  • ├── 2017
    • └── Injector before Null
      • ├── Info.
      • └── Works
  • ├── 2016
    • ├── Second Life: Habitat
      • ├── Info.
      • └── Works
    • └── 1ed6318fc5481dda3ded...
      • ├── Info.
      • └── Works
  • └── 2014
    • └── Collector
      • ├── Info.
      • └── Works

Works

  • ├── 2025
    • └── Traced
  • ├── 2024
    • ├── There Will Be Works
    • ├── Credit Makes You Free
    • └── todayisnotwhatyoulike
  • ├── 2023
    • ├── Around 7 Meters is More Fun
    • ├── A slightly different browser
    • ├── % consumption of computing
    • └── There is Another Capital Beneath the Waves
  • ├── 2022
    • ├── Happens to Be Performing
    • ├── It Could Be You
    • ├── Annoyanony
    • ├── Minimal Input @ C-lab
    • └── don't know... what do you think?
  • ├── 2021
    • ├── Photo of ID
    • ├── Revenge Scenes
    • ├── Game of Life
    • └── Crystal Seeding
  • ├── 2020
    • ├── discharge what you charged: room edition
    • ├── invariable variation
    • ├── de centralize
    • ├── We are just saying what you are ruling
    • └── T.R.M. 2.0: Infodemic
  • ├── 2019
    • ├── Hijacker:{,}
    • ├── Discharge what you charged
    • └── Others
  • ├── 2016
    • ├── Sandbox
    • ├── Second Life: Habitat
    • └── Untitled: The result
  • ├── 2015
    • ├── Hobo
    • ├── Artist's daily job
    • ├── We all love F & D
    • ├── isISis
    • └── The terminal disagrees
  • ├── 2014
    • ├── Rc_bOAT
    • ├── Dish on Fish
    • ├── portrait 2014
    • └── MissionFailed
  • ├── 2013
    • ├── portrait 2013
    • └── Afterlife ver. 2.0
  • ├── 2011
    • ├── Afterlife
    • └── portrait 2011
  • └── 2009
    • └── heartcoke

heartcoke

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HsienYu Cheng | 鄭 先喻CC BY-NC-SA 4.0 License Plain text